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Titlebook: James Bond Uncovered; Jeremy Strong Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 James Bond.Adaptation.Bond Films.Ian Fl

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11#
發(fā)表于 2025-3-23 13:46:15 | 只看該作者
12#
發(fā)表于 2025-3-23 14:01:35 | 只看該作者
James Bond and the End of Empire, power in which the Pax Britannica still operates. It also considers how the films, following ., have adopted a more ironic stance towards Britain’s great power ambitions, while occasionally harking back to past glories.
13#
發(fā)表于 2025-3-23 20:54:45 | 只看該作者
Book 2018s such as?.Goldfinger?.and?.Skyfall?.to comparatively under-examined texts such as the 1967?.Casino Royale.?and?.A View to a Kill..?Contributors’ expertise and interests encompass such diverse aspects of and approaches to the Bond stories as Sound Design, Empire, Food and Taste, Geo-politics, Feminist re-reading, Tarot, Landscape and Sets.?.
14#
發(fā)表于 2025-3-23 22:48:14 | 只看該作者
15#
發(fā)表于 2025-3-24 06:11:18 | 只看該作者
16#
發(fā)表于 2025-3-24 07:57:14 | 只看該作者
,Breaking Bond’s Balls: A Feminist Re-Reading Ian Fleming,ld and show how often the lines between masculinity and femininity are blurred. The numerous physical and psychological attacks on Bond’s manhood display a persistent philosophical anxiety about patriarchy, masculinity and moral justice.
17#
發(fā)表于 2025-3-24 13:43:44 | 只看該作者
James Bond: The Game,erson shooter?whilst investigating how Bond titles have pioneered technologies, photorealistic computer graphics and multi-player functionality, allowing player embodiment of Bond himself and his nemeses, such as Jaws or Blofeld.
18#
發(fā)表于 2025-3-24 15:58:28 | 只看該作者
19#
發(fā)表于 2025-3-24 22:31:58 | 只看該作者
20#
發(fā)表于 2025-3-24 23:33:13 | 只看該作者
Bond Resounding,s significant as the dialogue and music that surrounds them. Using an interview with sound editor Norman Wanstall, who worked on several early Bond films including . and . this chapter considers the soundscape in terms of the manipulation techniques synonymous with Music Concrète and the writings of Pierre Schaffer and Michael Chion.
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