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Titlebook: J.R.R. Tolkien‘s Double Worlds and Creative Process; Language and Life Arne Zettersten Book 2011 Palgrave Macmillan, a division of Nature A

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書(shū)目名稱(chēng)J.R.R. Tolkien‘s Double Worlds and Creative Process
副標(biāo)題Language and Life
編輯Arne Zettersten
視頻videohttp://file.papertrans.cn/501/500023/500023.mp4
圖書(shū)封面Titlebook: J.R.R. Tolkien‘s Double Worlds and Creative Process; Language and Life Arne Zettersten Book 2011 Palgrave Macmillan, a division of Nature A
描述A close colleague of Tolkein for many years, Zettersten offers here a personally informed analysis of his fiction. In light of his unusual life experience and enthusiasm for the study of languages, Zettersten finds in Tolkein‘s fiction the same animating passions that drove that great author as a youth, a soldier, a linguist, and an Oxford Don.
出版日期Book 2011
關(guān)鍵詞enthusiasm; experience; fiction; media; New Media; play; truth; english; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230118409
isbn_softcover978-1-349-38461-7
isbn_ebook978-0-230-11840-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2011
The information of publication is updating

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ife experience and enthusiasm for the study of languages, Zettersten finds in Tolkein‘s fiction the same animating passions that drove that great author as a youth, a soldier, a linguist, and an Oxford Don.978-1-349-38461-7978-0-230-11840-9
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Middle-earth,This extract from a letter to Deborah Webster, dated October 25, 1958 (Letter 213), is amusing, since it coincides so well with Tolkien’s own descriptions of himself on other occasions. He actually looked like a hobbit, insofar as one can imagine the looks of a hobbit, or partly as they are depicted at the beginning of the prologue to . (p. 2):
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From Sarehole to Shire,Was Tolkien strongly aware, when he worked on ., that his construction of the Shire was inspired by specific sceneries of his childhood?
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