Titlebook: Italy and the Mediterranean; Words, Sounds, and I Norma Bouchard,Valerio Ferme Book 2013 Palgrave Macmillan, a division of Nature America I

separate

來(lái)就得意

Sounds of Southern Shores,neanness, in this chapter, we will focus on the realm of popular music, a realm that has shown much ferment and creativity from the 1980s onward, from the pioneering work of Fabrizio De André’s . (1984) and two artists from Sicily and the city of Naples, respectively, Franco Battiato and Pino Daniel

上下倒置

Screening the Souths through Southern Eyes,orealism, comedy, and docufiction—is in order, our analysis explores the work of a limited number of directors who vividly express the tension between Western and Mediterranean imagining. While many more have participated in these representations (and we will reference their filmography), those we d

transdermal

Writing the Mediterraneity of the Italian Souths,ne the effects of modernization on the South while consciously mobilizing the historical sedimentation of composite and minoritarian cultures of the peninsula. By doing so, they express concerns that encompass a much broader transnational dimension than the rich tradition of southern Italian writing

Allege

The Mediterranean of Migrant, Postcolonial, and Exile Writers,tion for individuals who crossed the Mediterranean from the Strait of Gibraltar between Morocco and Spain, the Channel of Sicily between Tunisia and Sicily, and the Channel of Otranto between Albania and the Adriatic coast. At that time, the migrants registered on Italian soil amounted to less than

變形

撫育

Scintigraphy

生命

臆斷