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Titlebook: Issues and Singularity in the British Media Volume 2; Broadcasting: cultur Renée Dickason,David Haigron Book 2024 The Editor(s) (if applica

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發(fā)表于 2025-3-21 19:13:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Issues and Singularity in the British Media Volume 2
副標(biāo)題Broadcasting: cultur
編輯Renée Dickason,David Haigron
視頻videohttp://file.papertrans.cn/476/475850/475850.mp4
概述Analyzes British identity as a binding force in its diversity & as a projection of Britain’s image at home and abroad.Combines detailed panoramas of key historical periods.Provides a study of the Brit
圖書封面Titlebook: Issues and Singularity in the British Media Volume 2; Broadcasting: cultur Renée Dickason,David Haigron Book 2024 The Editor(s) (if applica
描述.This book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness...Volume 2 focuses on radio and (mostly) television broadcasting, from the interwar period to the early 21st century. In order to apprehend what is deeply engrained in British culture and thus contributes to shaping national identity, it analyses the ideas disseminated and reflected not only in programmes but also within media institutions in the face of changing political contexts, as well as providing a historiographical overview..
出版日期Book 2024
關(guān)鍵詞british radio; british broadcasting; tv production; teliesyn; BBC
版次1
doihttps://doi.org/10.1007/978-3-031-60653-3
isbn_softcover978-3-031-60655-7
isbn_ebook978-3-031-60653-3
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Reithianism and Modern(ist) Broadcasting Between the Wars: To Inform, Educate or Project?times at odds with the more “modernist” agenda embraced by others who saw the listener as an individual to be enriched and enabled, rather than improved. This divergence could also be observed in empire broadcasting in a context punctuated by desires for greater autonomy against the backdrop of an i
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The Absence of Television: Broadcasting and War in Britain, 1939–1945orist Raymond Williams (1974) called a technology and a cultural form. It investigates how the reasons for stopping television and reconfiguring radio were intertwined with ideas about the cultural role of broadcasting as a socially inclusive medium, the technological development of radio and televi
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Government Intervention in the Twenty-First-Century UK Broadcasting Ecologyty-first century. The interest will be to scrutinise justification for rather than implementation of how government intervention has been defined and legitimised, and will not necessarily focus on its regulatory instruments and avenues. The analysis of the 2003 and 2013 broadcasting regulation revie
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British TV Party Political Broadcasts: Persuasive, Performative Broadcasting): the mediating role they play in the democratic process, and how they evolved into sophisticated “performance” of political communication where entertainment is used as a persuasive lever to influence attitudes, if not behaviour. PPBs have borrowed from other television formats to develop into an
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The Sum of the Parts: , (BBC TV, 1971)—A Case StudyBBC’s . slot in 1971. Shot on the Orkney archipelago, off the north coast of Scotland, the film was adapted from three short stories by Orcadian writer George Mackay Brown, was directed by James MacTaggart and scripted by John McGrath, whose combined contributions created a work greater and more int
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