Titlebook: Ireland and the New Journalism; Karen Steele,Michael Nie Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 culture.jour

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2731-3182 ure, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.978-1-349-49155-1978-1-137-42871-4Series ISSN 2731-3182 Series E-ISSN 2731-3190

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Introduction910,” when “human nature changed.”. At the time of its launching, the . was among the largest ships of its time, a marvel of modern Irish design and engineering. Its vanquishing by iceberg and the subsequent scale of human loss inspired numerous memorials, tributes, and elegies, published almost imm

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Freeman’s Journal, o has the best claim to consideration as Ireland’s first investigative journalist, William O’Brien, later a prominent Parnellite MP and agrarian leader.. The advice was proffered in 1879 when O’Brien, then aged 26, was just emerging as the star reporter on Dublin’s . newspaper—and, of course, it was

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“The Mechanics of How We Bear Witness”: W. T. Stead’s Lessons for Irelandad been reincarnated as a journalistic visionary working in mid-twentieth-century London. Set in 1956, a moment marking the end of the British Empire’s global influence and the dawn of new journalistic practices with television, . features a leading character, Freddie Lyon (played by Ben Whishaw), w

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Irish Political Cartoons and the New Journalism disestablishment of the Church of Ireland, agitation for land reform, the emergence of Parnellite politics, and the establishment of the Home Rule movement. Such events, all well covered in the Irish press by the 1870s, set the stage for the nationalist campaign in the 1880s and beyond. It is no ac

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W. T. Stead, Liberal Imperialism, and Ireland “impudent hypocrisy” of that “Jingo-Radical journal,” the . (.).. Over the previous year, numerous papers in Ireland and Britain had noted, some in sadness, that the . had “gone Jingo.” The ., for example, went so far as to describe it as “that wild, hysterical, bloodthirsty paper.”. This criticism