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Titlebook: Invisibility in Visual and Material Culture; Asbj?rn Gr?nstad,?yvind V?gnes Book 2019 The Editor(s) (if applicable) and The Author(s), und

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樓主: invoke
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發(fā)表于 2025-3-23 12:49:26 | 只看該作者
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發(fā)表于 2025-3-23 15:17:34 | 只看該作者
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發(fā)表于 2025-3-23 19:26:48 | 只看該作者
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發(fā)表于 2025-3-24 01:32:10 | 只看該作者
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發(fā)表于 2025-3-24 05:37:38 | 只看該作者
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發(fā)表于 2025-3-24 07:11:41 | 只看該作者
,Hearing and Seeing the In/Visible: Anne Charlotte Robertson’s ,ng and thinking through. This chapter uses Robertson’s . to think the relations between image and sound and madness, between hearing and seeing and the in/visible, and suggests that Robertson’s use of sound is an attempt to convey the schizophrenic impulse in sonorous terms.
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發(fā)表于 2025-3-24 13:09:27 | 只看該作者
Power in Partial Invisibility: Reframing Positions on Nineteenth- and Early Twentieth-Century Photo century, each celebrate in a unique way the partially invisible image. Furthermore, Nathaniel Hawthorne’s literary references to the daguerreotype in his novel . are worthy of consideration and have been insufficiently celebrated in mainstream literature.
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發(fā)表于 2025-3-24 16:32:21 | 只看該作者
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發(fā)表于 2025-3-24 19:09:02 | 只看該作者
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發(fā)表于 2025-3-25 01:53:10 | 只看該作者
Invisibility Matters,echnologies to warfare, activism and identity politics. Deeply ingrained simultaneously in our human faculties and in our ever-transforming cultural and technological manifestations of invisibility, every invocation of the invisible ultimately has the potential to a broadened understanding of what vision is, and what it might become.
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