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Titlebook: Intimacy Across Visceral and Digital Performance; Maria Chatzichristodoulou (cultural practitioner ( Book 2012 Palgrave Macmillan, a divis

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樓主: SPIR
41#
發(fā)表于 2025-3-28 17:49:54 | 只看該作者
Book 2012Consisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance studies, live art and creative technology, these essays examine the rise of intimate performance works and question the socio-historical contexts provoking those aesthetic and affective developments.
42#
發(fā)表于 2025-3-28 20:53:47 | 只看該作者
Introductionship. Intimacy enables two sentient beings, who feel comfortable enough with each other on an emotional and/or physical level, to reveal something about themselves and connect in some form of meaningful exchange. Sensing intimacy in performance relocates registers of affect from the public sphere to
43#
發(fā)表于 2025-3-29 00:19:50 | 只看該作者
The Body in Your Lapwenty-first-century body is enmeshed in contradictions of authenticity and simulation, fixity and flux. This chapter attempts to navigate through those contradictions in relation to the body and performance in contemporary art.
44#
發(fā)表于 2025-3-29 05:38:26 | 只看該作者
Collapsing Alibis: Intimacy and the Ethics of Wit(h)nessing a certain material renegotiation and transformation of traumatic affect in both visceral and virtual performative encounters. My reading will rely on works in which closeness implied in the notion of intimacy is not utilized as a ‘proper’ means for a more direct exchange of experience based on reco
45#
發(fā)表于 2025-3-29 07:24:41 | 只看該作者
The Hazardous Conversation: The Practice of Intimacy in Performance at The Institute for the Art ande developed at the Institute for the Art and Practice of Dissent at Home (The Institute). The topic of the conversation will be our public performance . (Hazard08) that took place in Manchester in July 2008. The conversation has been scripted for publication, written as if the reader is eavesdroppin
46#
發(fā)表于 2025-3-29 13:53:12 | 只看該作者
Performing with Mother’s Milk: technical capabilities and raked seating for 300. People will purchase advance tickets and then they will be ‘on call’. I’ll go into labour and the audience will assemble at the theatre and I’ll do it for them. Well, I will do it for the baby and me. But they can watch. I had planned to do this perf
47#
發(fā)表于 2025-3-29 15:56:53 | 只看該作者
48#
發(fā)表于 2025-3-29 20:21:03 | 只看該作者
49#
發(fā)表于 2025-3-30 01:58:49 | 只看該作者
Between Bodies: An Artist’s Account of the Oral Connection Between Human and Dog, 2004, p. 47). With this terminology, Catling suggested the live performing body as synonymous with animality, for in being observable it represents the objectifiable other. Attention is given to the body being animal as manner and physicality are observed. Created both physically and psychological
50#
發(fā)表于 2025-3-30 06:22:16 | 只看該作者
Intimate Pervy Avatars011). Look at Alan Dojoji or Julu Twine, never touching, but sometimes engaged in a stylized and disordered dance or combat with other avatar toons. such as Sandy Taifun. If you were logged into . and looking at the scene through your own avatar eyes, you would read the avatar movements as odd, noth
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