Titlebook: Intimacy Across Visceral and Digital Performance; Maria Chatzichristodoulou (cultural practitioner ( Book 2012 Palgrave Macmillan, a divis

顯赫的人

Collapsing Alibis: Intimacy and the Ethics of Wit(h)nessingroring, as an emotional identification that in fact subsumes the other to the same, to a life we can readily articulate and regulate without needing to acknowledge the violence inherent in such articulations. My chapter will examine intimacy in performance through the theoretical notion of ‘wit(h)ne

BRAND

Instrumental

無意

Between Bodies: An Artist’s Account of the Oral Connection Between Human and Dogver, the performer’s body is rendered as other and distinct through the process of observation. It represents that which is similar . different to the viewer. Situated as a public site of social intervention the performing body serves as a simultaneous human and animal referent.

Vulnerable

induct

無思維能力

凝結(jié)劑

Performing with Mother’s Milk: rform at the hospital instead. Still, it was the definitive performance, meeting all the criteria of signature performance art elements: time, duration, blood, shit, puke, pain, primal screaming, body modification, sporadic audience attendance and participation, and copious documentation.

EPT

離開