Titlebook: Interwar London after Dark in British Popular Culture; Mara Arts Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Interwar London: Nights, Newspapers, Films,ial for the book was selected. This chapter provides the foundation for subsequent case study chapters which closely examine specific elements of the representation of London’s nightlife in newspapers and films.

VEIL

,Women on London’s Night-Time Streets,ho were the group of women most commonly associated with the London street at night. It considers press reporting on alleged soliciting and prostitution activity alongside the representation of prostitution in three interwar British films.

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Suburbs and Public Transport at Night,d with the London Underground, trains and buses, the chapter also explores how mass media represented London taxis at night. It considers the taxi as a public-private space, in which urban citizens could find privacy to conduct illicit and criminal behaviour.

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Mirror Image: Newspapers and Films Reflecting Each Other,ignals assumptions made about the influence of mass media. Several film directors included cinemas and cinemagoing in their films and used these scenes to provide insights into a character’s emotional state. Both media used representations of themselves and each other to signal their importance to British society.

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ciplinary perspective on popular culture.Highlights little a.This book explores the representation of London’s nightlife in popular films and newspapers of the interwar period. Through a series of case-studies, it analyses how British popular media in the 1920s and 1930s displayed the capital after

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Book 2022 it analyses how British popular media in the 1920s and 1930s displayed the capital after dark. It argues that newspapers and films were part of a common culture, which capitalized on the transgressive possibilities of the night. At the same time both media ensured that those in authority, such as t

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