Titlebook: International Relations, Music and Diplomacy; Sounds and Voices on Frédéric Ramel,Cécile Prévost-Thomas Book 2018 The Editor(s) (if applica

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Jessica C. E. Gienow-Hecht antiquity, dignity and ‘the true use of their quality’ (Heywood, 1841, xvii).. . operates not only as a defence of the acting profession, but as a celebration of drama as a valuable instrument of instruction and edification. Heywood argues that the unique power of live performance (when compared wi

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n on London public stages, though Philip Henslowe’s Admiral’s Men had a presumably successful run of biblical plays between 1590 and 1602, including Robert Greene’s ., George Peele’s ., and the anonymous . and ., and, as Beatrice Groves outlines, the Chamberlain’s Men staged the story of Jonah in th

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978-3-319-87488-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer International P

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https://doi.org/10.1007/978-3-319-63163-9IR theory; Acoustic turn; Musical diplomacy; International voices; Cultural diplomacy; Synbolism; Represen

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Frédéric Ramel,Cécile Prévost-ThomasProposes an alternative study of IR based on the role of sensitivity.Offers an emotional or symbolical approach to diplomacy by examining the notion of the stage and therefore the representation of th

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,Introduction: Understanding Musical Diplomacies—Movements on the “Scenes”,g which these ambassadors think of the diplomatic stage as a musical scene (Part 2), how international music scenes emerge, where the musical challenges become some objects of diplomatic negotiations (the music scene is imported on the diplomatic scene) (Part 3). These processes prove that sounds an