Titlebook: Intermedial Shakespeares on European Stages; Aneta Mancewicz Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

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書目名稱Intermedial Shakespeares on European Stages被引頻次




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書目名稱Intermedial Shakespeares on European Stages讀者反饋




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避開

Digital Intermediality without Digital Technology,plication of theatrical tools, but in creating new ways of seeing and experiencing for the audience. According to Freda Chappie and Chiel Kattenbelt, intermediality has been ‘a(chǎn)bout changes in theatre practice and thus about changing perceptions of performance, which become visible through the process of staging’ (2006b, p. 12).

Intuitive

insipid

有組織

2947-5848 It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.978-1-349-47180-5978-1-137-36004-5Series ISSN 2947-5848 Series E-ISSN 2947-5856

CORE

Drama: Intermedial Texture,d, and reproducible, performance tends to be described as spontaneous, elusive, and ephemeral; each is defined as distinct from the other, but their relationship is a key issue in theatre practice and scholarship.

摻和

Embolic-Stroke

搖曳的微光

Drama: Intermedial Texture,, but because its form, function, and status are central to the understanding of the playwright and his work. The debate whether Shakespeare focused on print or performance, and whether one medium offers a better insight into his imagery and ideas than the other, has been as heated as the controvers

artless

Time and Space: Intermedial Stratigraphy,erbal descriptions of time and space in Western drama. According to Robert Speaight, ‘The Elizabethan stage had the advantage of being anywhere one wanted at any particular moment; it could remind one of locality, and as easily allow one to forget it’ (1973, p. 15). Since the setting of a scene was