Titlebook: Innovation in Luxury Fashion Family Business; Processes and Produc Elisa Giacosa Book 2014 Palgrave Macmillan, a division of Macmillan Publ

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書目名稱Innovation in Luxury Fashion Family Business影響因子(影響力)

書目名稱Innovation in Luxury Fashion Family Business影響因子(影響力)學科排名

書目名稱Innovation in Luxury Fashion Family Business網(wǎng)絡公開度

書目名稱Innovation in Luxury Fashion Family Business網(wǎng)絡公開度學科排名

書目名稱Innovation in Luxury Fashion Family Business被引頻次

書目名稱Innovation in Luxury Fashion Family Business被引頻次學科排名

書目名稱Innovation in Luxury Fashion Family Business年度引用

書目名稱Innovation in Luxury Fashion Family Business年度引用學科排名

書目名稱Innovation in Luxury Fashion Family Business讀者反饋

書目名稱Innovation in Luxury Fashion Family Business讀者反饋學科排名

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Elisa Giacosae nightmarish sacrificial sign-work of cybernetic-like compulsions toward a New World Order of systematic overdevelopment, transglobal CAPITAList hegemony and straight whitemale economies of logic, morality and pleasure. The technologically driven and culturally orchestrated shifts in the command, c

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Elisa Giacosaation and vertigo. As reflexive social forms, these games were once the province of generous gift exchange, festival, and the ecstasy of both pagan and shamanistic rites of healing. Today, they are being telecommunicatively reprocessed and then sold for profit. This gives games of simulation and ver

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Elisa Giacosasense of closure that death inevitably entails, which, in formal terms, seems both conceptually and materially closer to the still, than to the moving image, the latter so suffused with life. Death in cinema often implies the end of narrative and of signification itself, which poses a particular her

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y, those in the fantasy genre. Futuristic works such as . (2004) and . (2002) present the eradication of emotion as a possibility. Likewise, the five films based on Stephenie Meyers’s . and the eight films inspired by J. K. Rowling’s . series illustrate the desire to master emotion and conquer death

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