Titlebook: Information Technologies for Performing Arts, Media Access, and Entertainment; Second International Paolo Nesi,Raffaella Santucci Conferenc

EVOKE

書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment影響因子(影響力)




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment影響因子(影響力)學(xué)科排名




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment網(wǎng)絡(luò)公開度




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment被引頻次




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment被引頻次學(xué)科排名




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment年度引用




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment年度引用學(xué)科排名




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment讀者反饋




書目名稱Information Technologies for Performing Arts, Media Access, and Entertainment讀者反饋學(xué)科排名

浪費物質(zhì)

A Linked Open Data Service for Performing Artsated with the resources. LOD allows to enrich information about resources possibly improving the user experience when using the resources or on finding them. This paper presents the experience in publishing as linked data the information which is present on ECLAP portal about multimedia content on p

Tonometry

A New Generation Digital Content Service for Cultural Heritage Institutionsrmined a strong evolution in digital content services. Traditional content based online services are leaving the space to a new generation of solutions. In this paper, the experience of one of those new generation digital content service is presented, namely ECLAP (European Collected Library of Arti

Incisor

How to Catalogue the Cultural Heritage “Spectacle” Eugenio Battisti and his team of the University of Rome “Tor Vergata” in the last decades of ‘900. Then the author presents a comparison between available catalogue schemas provided by public and private institutions and the cataloguing needs of a particular cultural heritage like “spectacle”. A ne

Feckless

親愛

Open Creative Framework for a Smart Cultural City: Bologna Porticoes and the Involvement of Citizensneglect the communicative aspects. This approach can led towards two different perspectives: the creation of emotional and engaging events, and the creation of applications aiming at a more active participation of users in the development of the final product. The candidacy of the porticoes of Bolog

敘述

Preserving Authenticity Evidence to Assess Provenance and Integrity of Digital Resources and other changes of their representation. This may pose a threat to the integrity of their intellectual content and makes it difficult to trace their provenance. The paper addresses the crucial problem of gathering and preserving the evidence that would allow, at a later time, to properly assess t

容易做

仇恨

盡忠