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Titlebook: Information Systems and Design; Third International Victor Taratukhin,Artem Levchenko,Yury Kupriyanov Conference proceedings 2023 The Edit

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發(fā)表于 2025-3-23 13:20:09 | 只看該作者
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發(fā)表于 2025-3-23 16:54:06 | 只看該作者
Communications in Computer and Information Sciencehttp://image.papertrans.cn/i/image/465558.jpg
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發(fā)表于 2025-3-23 18:54:27 | 只看該作者
14#
發(fā)表于 2025-3-23 22:36:58 | 只看該作者
velop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a
15#
發(fā)表于 2025-3-24 02:22:56 | 只看該作者
velop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a
16#
發(fā)表于 2025-3-24 09:00:26 | 只看該作者
Svetlana Begicheva,Antonina Begichevaen on the public. . film series (2013–2021) comments on the elimination of the undesirable elements in American society in a very similar vein. The series consists of five films and presents purging as a political tactic of the New Founding Fathers, who urge their citizens to commit any crime once a
17#
發(fā)表于 2025-3-24 13:50:56 | 只看該作者
Mikhail Matveev,Vladislav Korotkovvelop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a
18#
發(fā)表于 2025-3-24 15:04:47 | 只看該作者
Semyon Podvalny,Eugeny Vasiljeveld, and the bonds they form emerge as sites of terror. Emanuele de Feudis’s . (., 2020), ángel Gómez Hernández’s . (., 2020), and Robert Eggers’s . (2015) capitalize on culturally specific traditions of misogyny and present female bodies as repository of ancestral horror. In ., the desperate ghost
19#
發(fā)表于 2025-3-24 21:19:57 | 只看該作者
M. G. Matveev,E. A. Sirota,E. A. Kopytinalast couple of decades. Movies exploring ecological horror have articulated changing viewpoints on the human damage to nature, reminding the audience of the alterations in climate and nature and their detrimental ramifications in the biosphere and human life. Though nature has been perceived as a ha
20#
發(fā)表于 2025-3-25 00:03:06 | 只看該作者
Evgeniya Kolykhalova,Semyon Podvalny,Dmitry Proskurinor the more ambitious art film containing overt biblical allegories and disturbing themes. Aronofsky, known for the religious themes in his work, invested . with numerous references to the Hebrew Bible and New Testament. This allegorical film can be easily read as a visual sermon on creation and env
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