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Titlebook: Information Security Applications; 12th International W Souhwan Jung,Moti Yung Conference proceedings 2012 Springer-Verlag GmbH Berlin Heid

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樓主: patch-test
61#
發(fā)表于 2025-4-1 03:11:20 | 只看該作者
Chung Il Sun,Tae Ho Chors of creativity from around the world to share their respective notions of creativity. Given that human creativity is a potential that can and should be nurtured in the course of lifespan development and across all cultural backgrounds, the volume emphasizes the importance of promoting creativity i
62#
發(fā)表于 2025-4-1 06:43:31 | 只看該作者
Security Data Extraction from IEC 61850 ACSI Models for Network and System Management,ing secure smart grid controls. This paper presents efficient NSM attributes extraction from data objects and logical nodes defined in IEC 61850 part 7-3 and 7-4, respectively by using Abstract Communication Service Interface (ACSI) in part 7-2. The proposed method extracts 21% of NSM from conventio
63#
發(fā)表于 2025-4-1 11:36:13 | 只看該作者
64#
發(fā)表于 2025-4-1 15:13:22 | 只看該作者
65#
發(fā)表于 2025-4-1 18:47:14 | 只看該作者
Advanced Path Selection Method for Detection of False Reports in Statistical Filtering Based WSNs,e accurate quality of the incoming path and choose the secure paths. In this paper, we proposed an advanced path selection method for improving the detection power of PSM using two partition arrays and information of downstream nodes of forwarding node. By using this information, each node evaluates
66#
發(fā)表于 2025-4-2 01:07:51 | 只看該作者
n, 2011; Davis et al., Building artistic computer colleagues with an enactive model of creativity, 2014). If this endeavor proves successful, the implications for HCI and the field of computing in general could be significant. Creative computers could understand and work alongside humans in a new hy
67#
發(fā)表于 2025-4-2 05:12:25 | 只看該作者
Gautham Sekar,Bart Preneel a powerful story about the drawbacks of conformity while celebrating individuality and the creative potential of imagination. “Creative individuals are no longer viewed as iconoclasts; they are new mainstream” (Florida, Rise of the creative class — revisited: 10th anniversary edition — revised and
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