| 書目名稱 | Inequality in Contemporary Stand-Up Comedy in the UK |
| 編輯 | Claire Sedgwick |
| 視頻video | http://file.papertrans.cn/465/464411/464411.mp4 |
| 叢書名稱 | Palgrave Studies in Comedy |
| 圖書封面 |  |
| 描述 | This Pivot explores the cultural economy of comedy in the UK, looking specifically at the links between industry practices and structures and who produces comedy in the UK. The research is based on interviews with comedians in the East Midlands; significantly, this demographic has been historically under-researched in studies of precarity, where the East Midlands is typically overlooked in discussions of arts funding and access in favour of a more simplistic north/south divide narrative. Similarly, whilst there has been increased discussion of the precarity of the creative and cultural industries, as well as media articles on the difficulty of breaking into comedy as a member of a marginalised group, there has been relatively little academic research to support this. While Friedman’s work in particular has been helpful for understanding the link between comedy producers, class and taste making, there has been less attention paid to the sociologies of work within comedy. This book fillsthese gaps in research by exploring the experiences of comedians in the East Midlands, contributing to the rich body of scholarship on inequality in the cultural industries and promoting a better unde |
| 出版日期 | Book 2024 |
| 關(guān)鍵詞 | comedy; creative industries; cultural industries; precarity; inequality; Covid-19; gender; East Midlands |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-031-55932-7 |
| isbn_ebook | 978-3-031-55932-7Series ISSN 2731-4332 Series E-ISSN 2731-4340 |
| issn_series | 2731-4332 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機(jī)版|小黑屋|
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