Titlebook: Industrial Craft in Australia; Oral Histories of Cr Jesse Adams Stein Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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2731-5673 histories.Argues that while digital production technologies This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia.?Providing an alternative to the nostalgic trope of the redundant factory ‘craftsman’, this book?in

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EXPEL

,The Patternmaker’s Toolbox: Making Things on the Side in Industrial Craft Apprenticeship,tion was a pedagogical strategy and held particular social significance in the moral economy of industrial workplaces. Drawing on oral histories, this chapter explores how this process has transformed, and eventually disappeared, following the recent business trend towards standardisation and factory uniformity.

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Industrial Craft as Design Knowledge: Hidden Intermediaries of Design and Production,patternmaking knowledge sets, reminding us that the making of manufactured objects is deeply collaborative across professional and class formations. This example has broader historical implications for how we frame and value the knowledge, skills and influence of those engaged in industrial production.

Stress-Fracture

Patternmaker-Artists: Creative Pathways for Industrial Craftspeople in the Context of Australian Deions between Australian manufacturing, industrial craft, various art world/s and perceptions of social class. This tension is made explicit through reference to patternmakers’ responses to the work of twentieth-century modernist sculptor Robert Klippel.

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Introduction: Re-evaluating Industrial Craft Through the Lives of Engineering Patternmakers,g how tradespeople have experienced recent changes, from the late twentieth century to the present. Key themes for the book are introduced, including class and gender in oral history, creative practice, retraining and technological change, and design knowledge in industrial craft.

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