Titlebook: Indonesian Postcolonial Theatre; Spectral Genealogies Evan Darwin Winet Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Li

選民

書目名稱Indonesian Postcolonial Theatre影響因子(影響力)




書目名稱Indonesian Postcolonial Theatre影響因子(影響力)學(xué)科排名




書目名稱Indonesian Postcolonial Theatre網(wǎng)絡(luò)公開度




書目名稱Indonesian Postcolonial Theatre網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Indonesian Postcolonial Theatre被引頻次




書目名稱Indonesian Postcolonial Theatre被引頻次學(xué)科排名




書目名稱Indonesian Postcolonial Theatre年度引用




書目名稱Indonesian Postcolonial Theatre年度引用學(xué)科排名




書目名稱Indonesian Postcolonial Theatre讀者反饋




書目名稱Indonesian Postcolonial Theatre讀者反饋學(xué)科排名

irreparable

嬰兒

mettlesome

反應(yīng)

Ambulatory

2947-4949 tavia to Ratna Sarumpaet‘s feminist Muslim Antigones. The book reveals patterns linking the colonial to the postcolonial eras that often conflict with the historical narratives of Indonesian nationalism.978-0-230-24667-6Series ISSN 2947-4949 Series E-ISSN 2947-4957

使習(xí)慣于

Introduction: Colonial Foundations and Precessions of Postcoloniality,of an Indonesian history and culture are inherently postcolonial projects. To privilege an ‘Indonesian’ identity over all others, one must view the not-yet-president Soekarno’s declaration of independence from Dutch rule in 1945 as a watershed whose past may either be recuperated towards a history o

emission

contradict

Sites of Disappearance: Expatriate Ghosts on Ephemeral Stages,olonial Batavia, a few miles southeast of the old VOC town. The Napoleonic Governor-General Herman Willem Daendels (r.1808–11) had first relocated Batavia to this new spot at the turn of the nineteenth century to escape the infestation of malarial mosquitoes and to imagine a new capital on republica

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