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Titlebook: Indography; Writing the "Indian" Jonathan Gil Harris Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 drama.England.his

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發(fā)表于 2025-3-21 17:03:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Indography
副標(biāo)題Writing the "Indian"
編輯Jonathan Gil Harris
視頻videohttp://file.papertrans.cn/464/463815/463815.mp4
叢書(shū)名稱(chēng)Signs of Race
圖書(shū)封面Titlebook: Indography; Writing the
描述In the fifteenth and sixteenth centuries, Europeans invented ‘Indians‘ and populated the world with them. The global history of the term ‘Indian‘ remains largely unwritten and this volume, taking its cue from Shakespeare, asks us to consider the proximities and distances between various early modern discourses of the Indian. Through new analysis of English travel writing, medical treatises, literature, and drama, contributors seek not just to recover unexpected counter-histories but to put pressure on the ways in which we understand race, foreign bodies, and identity in a globalizing age that has still not shed deeply ingrained imperialist habits of marking difference.
出版日期Book 2012
關(guān)鍵詞drama; England; history; poetry; transformation; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137090768
isbn_ebook978-1-137-09076-8Series ISSN 2945-6312 Series E-ISSN 2945-6320
issn_series 2945-6312
copyrightPalgrave Macmillan, a division of Nature America Inc. 2012
The information of publication is updating

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From First Encounter to “Fiery Oven”arguably genocidal approach taken to the Pequots of Connecticut in 1637, and some time later, to a larger mass of New England Indians in King Philip’s War. This change has been charted in paradigmatic terms by the literary scholar John Seelye, who in . speaks of “the peaceful message of the Gospels
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Playing Indianitiate this book that provides the reader with a map illustrated with images of Indians, descriptions of the newly settled territory, and even sounds, should the reader choose to speak aloud the words in Algonquin.. By featuring the vocabulary at the opening of his text, Smith makes preeminent the I
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From Lunacy to Faitherved as the playwright’s source. Orlando, the furious/mad hero, is exiled to India in his mind, as it were, rather than having his wits banished to the moon, the fate of Ariosto’s hero. For Greene the geographically vague “Indian clime” (996) is the locus of the foreign and of what is termed “base”
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