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Titlebook: Indigenous and Transcultural Narratives in Québec; Ways of Belonging Dervila Cooke Book 2024 The Editor(s) (if applicable) and The Author(s

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樓主: Deleterious
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發(fā)表于 2025-3-23 12:06:57 | 只看該作者
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發(fā)表于 2025-3-23 17:26:16 | 只看該作者
Book 2024ssed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96..
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發(fā)表于 2025-3-23 21:03:48 | 只看該作者
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發(fā)表于 2025-3-23 22:49:52 | 只看該作者
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發(fā)表于 2025-3-24 06:14:37 | 只看該作者
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發(fā)表于 2025-3-24 13:08:35 | 只看該作者
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發(fā)表于 2025-3-24 15:28:02 | 只看該作者
,Naomi Fontaine’s Indigenous Writing: Self, Community, and Society,ghts the need for confident self-affirmation, to address intergenerational trauma for Indigenous people. Her writing and activism promote a resistance to stereotyping and cultural domination, as well as an openness to others. While . focuses on a sense of place, and . concentrates more on individual
19#
發(fā)表于 2025-3-24 22:24:59 | 只看該作者
Abla Farhoud: Montreal Migrations and the Ghost of Lebanon,gration from the place of origin (Lebanon), her exile aged twenty from her home in Montreal to return to Lebanon, and her later return to Montreal engendered repeated cultural transitions. Analysing her first novel, ., and her importance as a playwright in the 1980s and 1990s, the discussion then ex
20#
發(fā)表于 2025-3-25 00:06:29 | 只看該作者
Anita Aloisio and Akos Verboczy, Children of ,rengthened by . which came into force in 2023) is seen by many as vital to Québec’s continued identity as a French-speaking culture, but decried by others, and perhaps misunderstood, including by established Francophones. The focus here is on documentary film by Anita Aloisio between 2007 and 2022,
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