Titlebook: Indigenous Resistance in the Digital Age; On Radical Hope in D Olivia Guntarik Book 2022 The Editor(s) (if applicable) and The Author(s), u

Eviction

frivolous

憂傷

Walking Placerting point sees the politics of movement as a technical (and not simply a technological) possibility. Place is presented as a site that “speaks”, retains, and . memory and identity. Drawing attention to this mode of mobility produces specific ways of thinking about our movement through the world and navigating complexity.

比目魚

needle

Stolen Landss neighbour, family and place, and is told through his daughter (a co-author of this chapter). Drawing on ideas from cosmopolitics and speculative ethics, we tell the story of the messy actuality of politics, trust and relationships of care. Human and more than human worlds coincide and collide to articulate a common world.

Adenocarcinoma

Book 2022isis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act.

制定法律

Rematriation our links to past, present and future. More than simply preservation, connecting to kin and Country builds respect across difference, and our social and ancestral obligations into the future. The symbolism is in the story.

忍受

Reading Placeethod to working demonstrates how community-driven initiatives can function as safekeeping places of knowledge preservation. I consider how people are producing and reproducing knowledge about their traditional lands on their terms and through my personal and ongoing conversations with N’arweet, Boonwurrung elder.

兒童

Healerssentation adopts explicit and empowering forms through the lived experiences of the knowledge holders of plants, herbs and animal life – knowledge that is contextualized within a larger cosmology of campesinas wisdom and science.

流動才波動

Gatheringg an eye tracker, augmented reality software and locative media. I examine the emancipatory potential of these creative technologies as a way to draw conclusions on the technological opportunities for participation and democracy.