Titlebook: Indigenous Creatures, Native Knowledges, and the Arts; Animal Studies in Mo Wendy Woodward,Susan McHugh Book 2017 The Editor(s) (if applica

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Magic Wells, the Stream and the Flow: The Promise of Literary Animal Studiesudies is interdisciplinary and diverse. Literary animal studies reminds us that the arts have their roots in and the power to rekindle the earliest responses indigenous creatures had to ‘the ancestral environment of all living things,’ a response much needed in this time and place (Wilson ., p. 211).

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Introduction,ther as animist gods, familiars, conduits to ancestors, totems, talismans, or co-creators of multispecies cosmologies, animals act as vital players in the lives of cultures. From early days in colonial contact zones through contemporary expressions in art, film, and literature, the volume traces the

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Qing and the Animals of the Drakensberg-Malotionse to Orpen’s questions, Qing commented on rock art and recounted stories. Orpen published Qing’s comments and stories in 1874 in .. James Murray Grant, the leader of the expedition, kept a journal of the journey. Both Orpen’s article and Grant’s journal contain multiple references to animals. Thi

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Kabbo Sings the Animalsk-Lloyd Archive. The focus is on Alan James’ volume of versions, . (.), particularly the representation of animal-human relations in the testimonies of one major informant, //Kabbo. I suggest that animal representations have been ill-served by extant scholarly literature, and argue for a conjunction

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myalgia

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Tricksters, Animals, New Materialities, and Indigenous Wisdomsearances in Afrofuturistic sonic fiction, literary fiction and artistic production. Intruding into the Afrofuturist-inspired work of South African artists such as Mer Roberts and Asha Zero, as well as the magical realist writing of Ingrid Winterbach, the uncanny porosity of boundaries between scienc

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The Porosity of Human/Nonhuman Beings in Neil Gaiman’s , and ,oples, have as a result of global human movements taken root and transmogrified in their new environments. While his invocation of animistic presences as a means to discover/recover the personal and genealogical histories of his characters is extensively explored in . (2001), . (2005) intensifies th

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Animated Animals: Allegories of Transformation in ,xemplary way embodies the tensions between indigenous, localised narration, and the generic conventions established by commercialised, global media. Set in the Karoo, and featuring a cast of African animals, the film traces the adventures of a young zebra who is born with aberrant stripe coloration,

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