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Titlebook: In the Inmost Hour of the Soul; Marina Tsvetayeva Book 1989 The Humana Press Inc. 1989 Fine Art.Museum.art.event.knowledge.love.poetry.sta

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發(fā)表于 2025-3-21 18:18:49 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱In the Inmost Hour of the Soul
編輯Marina Tsvetayeva
視頻videohttp://file.papertrans.cn/464/463099/463099.mp4
叢書名稱Vox Humana
圖書封面Titlebook: In the Inmost Hour of the Soul;  Marina Tsvetayeva Book 1989 The Humana Press Inc. 1989 Fine Art.Museum.art.event.knowledge.love.poetry.sta
描述" .. .1 have no love for life as such; for me it begins to have significance, i.e., to acquire meaning and weight, only when it is transformed, i.e., in art. If I were taken beyond the sea- into paradise-and forbidden to write, I would refuse the sea and paradise. I don‘t need life as a thing in itself." This, written by Tsvetayeva in a letter to her Czech friend, Teskova, in 1925, could stand as an inscription to her life. Marina Tsvetayeva was born in Moscow on September 26, 1892. Her fathel~ a well-known art historian and philolo- gist, founded the Moscow Museum of the Fine Arts, now known as the Pushkin Museum; her mother, a pianist, died young, in 1906. Marina began writing poetry at the age of six. Her first book, Evening Album, contained poems she had writ- ten before she turned seventeen, and enjoyed reviews by the poet, painter, and mentor of young writers, Max Voloshin, the poet Gumilyov, and the Symbolist critic and poet, Valerii Bryusov. Voloshin and Gumilyov welcomed the seventeen- year-old poet as their equal; Bryusov was more critical of her, though he too, in his own belligerent way, acknowledged her talent.
出版日期Book 1989
關鍵詞Fine Art; Museum; art; event; knowledge; love; poetry; stars; trust; will; writing
版次1
doihttps://doi.org/10.1007/978-1-4612-3706-8
isbn_softcover978-1-4612-8220-4
isbn_ebook978-1-4612-3706-8
copyrightThe Humana Press Inc. 1989
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:31:54 | 只看該作者
978-1-4612-8220-4The Humana Press Inc. 1989
板凳
發(fā)表于 2025-3-22 01:10:10 | 只看該作者
地板
發(fā)表于 2025-3-22 08:25:34 | 只看該作者
ed, i.e., in art. If I were taken beyond the sea- into paradise-and forbidden to write, I would refuse the sea and paradise. I don‘t need life as a thing in itself." This, written by Tsvetayeva in a letter to her Czech friend, Teskova, in 1925, could stand as an inscription to her life. Marina Tsvet
5#
發(fā)表于 2025-3-22 09:42:32 | 只看該作者
Book 1989in art. If I were taken beyond the sea- into paradise-and forbidden to write, I would refuse the sea and paradise. I don‘t need life as a thing in itself." This, written by Tsvetayeva in a letter to her Czech friend, Teskova, in 1925, could stand as an inscription to her life. Marina Tsvetayeva was
6#
發(fā)表于 2025-3-22 15:00:47 | 只看該作者
7#
發(fā)表于 2025-3-22 19:45:20 | 只看該作者
Marina Tsvetayevacreasingly salient topic within migration research.Provides .This book provides a demographic profile of the Syrian diaspora into Europe and identifies the issue of forced migration as a separate and increasingly salient topic within the more general field of migration research. ?It describes the pr
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發(fā)表于 2025-3-22 23:55:27 | 只看該作者
9#
發(fā)表于 2025-3-23 05:01:26 | 只看該作者
Marina Tsvetayevacreasingly salient topic within migration research.Provides .This book provides a demographic profile of the Syrian diaspora into Europe and identifies the issue of forced migration as a separate and increasingly salient topic within the more general field of migration research. ?It describes the pr
10#
發(fā)表于 2025-3-23 07:53:35 | 只看該作者
Marina Tsvetayevacreasingly salient topic within migration research.Provides .This book provides a demographic profile of the Syrian diaspora into Europe and identifies the issue of forced migration as a separate and increasingly salient topic within the more general field of migration research. ?It describes the pr
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