Titlebook: Immigrant Generations, Media Representations, and Audiences; Omotayo O. Banjo Book 2021 The Editor(s) (if applicable) and The Author(s), u

自戀

Becoming Black: An Introduction to Immigrant Generations, Media Representations, and Audiences,iculturalism, and transnationalism, the author discusses the complexities of being a Nigerian-American and becoming racially coded within the US social system. The author discusses the use of media in learning racial codes and shares a journey of looking for bicultural representation and finally bei

fluffy

intolerance

First-Generation Korean American Women’s Mobility: Intersections of Ethnicity/Race, Class, and Gende such as Mary Paik Lee’s . (1990) and Lanhei Kim Park’s . (1984). It examines how these early Korean women’s lives and life stories are characterized by ethnicity/race, class, and gender by looking at the nature of their movements across the international borders and around the continental America.

inundate

赤字

Contested Citizenship: The Representation of Latinx Immigration Narratives in , and looked Latina/o/x immigrants. Both shows reflect the burgeoning Latina/o/x viewership and embody the changing nature of the available representations by centering Latina/o/x immigrants, including those who are undocumented. This chapter examines the immigration narratives represented in these shows.

Guileless

弓箭

Ambivalence and Contradiction in Digital Distribution: How Corporate Branding and Marketing Dilute tss appeal and appease advertisers. In theory, agnostic platforms offer the opportunity to distribute niche content that does not stereotype marginalized groups. Indeed, series like Hulu’s . (2019–) include nuanced portrayals of second-generation lived experiences and depart from past problematic rep

PHONE

Un Puente a la Mesa: The Role of Cultural Translators in the Production of Disney/Pixar’s ase DDLM in 2013. Chicanxs and Latinxs mobilized to pressure the multinational media giant to withdraw the trademark paperwork. The film was renamed . in 2015, the trademark was withdrawn after three days, and prominent Chicanxs and Latinxs were hired as cultural consultants. This chapter draws on t

小爭吵

Breach

Am I an All-American Girl? An Autocritography of Ethnicity, Gender, and Acculturation via Margaret Ce first sitcom to feature an all-Asian cast. The show was pulled after 19 episodes, and many scholars have critiqued the show’s representation of Korean-Americans and Asian-Americans in the years since, but few have investigated the show as a first-generation American narrative. Using this lens, thi