Titlebook: Imaging Religion in Film; The Politics of Nost M. Gail Hamner Book 2011 M. Gail Hamner 2011 film.methodology.politics.realism.religion.Tast

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Missile

Imaging Religion in Film978-1-137-01324-8Series ISSN 2634-6079 Series E-ISSN 2634-6087

vitrectomy

Introduction: Interpreting Religion and Filmhn Woo’s . (1997) in order to exemplify both the pedagogy of self I outlined in the Preface and the theoretical assertions I delineate in more detail in Part II of the book; and third, I offer a discussion of the book’s subtitle, “The Politics of Nostalgia.” Finally, I delineate the basic structure of the book’s chapters.

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奇思怪想

Book 2011This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film‘s social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa‘s Dersu Uzala ; Kiarostami‘s Taste of Cherry ; and the Coens‘ The Man Who Wasn‘t There .

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