Titlebook: Image and Text in Conceptual Art; Critical Operations Eve Kalyva Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Conceptual

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偏離

The Performative Gesture of Image and Text Juxtapositions, event and in inverting the mediation of reality, the effects of documentation, the role of the archive and institutional discourse, and the relation between art, violence and political mobilisation. This chapter also reflects on the binary distinction between conceptual art and conceptualism.

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縮短

The Logico-Semantics of Image and Text,ansposition to different geographical and material sites, and the difference between a tautological and a critically engaged use of language. This is illustrated in the parallel discussion of Joseph Kosuth’s Art after philosophy (1969) and Burgin’s Situational aesthetics (1969).

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Conclusions, of art in relation to theory and drew to the surface the implications of writing about art and “doing” art history. Chapter 6 moreover reflects on the book’s methodology and reviews the current state of affairs in terms of art and criticism.

Affectation

Book 2016ands placed on art. While conceptual art is generally identified by its use of language, this book makes clear exactly how language was used. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised and produced? .Image and Text

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