Titlebook: Ideology And Cinematography In Hollywood: 1930-1939; Mike Cormack Book 1994 Palgrave Macmillan, a division of Macmillan Publishers Limited

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..An interdisciplinary approach that applies to many humanitThe theory in the book is based on the latest research in argumentation theory, and especially on new applications of artificial intelligence (AI) to legal argumentation. The methodology of the book derives from recent work in argumentation

instructive

Introduction,ck at the American Pacific Fleet in Pearl Harbor, Hawaii. Between these two traumatic events stretched a decade dominated by the economic depression which followed the crash and which was only exorcised finally by the change to a war economy in the forties. Politically the period was dominated by Fr

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Ideology and Cinematographic Style,aim outright victory. The contemporary significance of this debate is that it makes it important for any writer using this concept to give it a clear definition, but one which is complex enough to encompass the problems raised by recent critiques. The simple definitions which earlier studies on ideo

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,The New Deal in Hollywood, 1933–35,is not so clear and, as far as Hollywood is concerned, the middle of the decade can be divided into two periods — a transitional period from 1933 to 1935, which saw a move away from the style and content of the early thirties, and the period from 1936 to 1938 which saw the classic restrained style a