Titlebook: Hysterical Methodologies in the Arts; Rising in Revolt Johanna Braun Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Hysteri

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,The Other Self of the Imagination: Cindy Sherman’s Hysterical Performance,hen why does Sherman use her own body—distorted by costumes, make-up, and props—as her main model? If it is not a question of self-representation, then what is the relationship between the depiction and the female body being represented? We must consider further, at least.

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Hysterical Aesthetics in Contemporary Performance: Theater, Dance, Voice,t of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.

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Dora with Medusa: Is Hysterical Writing a Subversive Revolution?,se to literature and examines Cixous’ theater play as a piece of literature which brings the history of psychoanalysis as talking cure to the stage. A plurality of theories emerges in the Dora-Fragment, from which art can also provide inspiring information.

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