Titlebook: Hunger and Irony in the French Caribbean; Literature, Theory, Nicole Simek Book 2016 The Editor(s) (if applicable) and The Author(s) 2016

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Introduction: Living on the Edge,exts do theoretical, ethical, and political work. The project approaches the relationship between literature, theory, and public life through a specific site, the French Antilles, and focuses on two mutually elucidating terms: hunger and irony. Reading hunger and irony together helps clarify irony’s

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Theory or Over-Eating,. and Patrick Chamoiseau’s ., it explores the fraught relationship between postcolonial literature and the Western literary theories through which it is interpreted, digested, or devoured. These novels use irony to blur the distinction between literature and theory, but they also draw new lines betw

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Ironic Intent,cal function for literature. In tracing concepts of intent, this chapter gives special attention to self-writing in French Caribbean work, which serves as a privileged site where debates about agency, writing, and public intellectualism play out. Focusing on multiple forms of irony in Patrick Chamoi

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In the Belly of the Beast: Irony, Opacity, Politics,genre or form, paying particular attention to the concept of opacity. Analyzing the 2009 . and Simone Schwarz-Bart’s 1979 folktale-inspired novel, ., alongside the theoretical interventions of édouard Glissant and Patrick Chamoiseau shows that hunger represents for these authors at once a material p

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Hunger Pangs: Irony, Tragedy, Constraint,t, constraint, and impasse that also preoccupy them. Patrick Chamoiseau’s . and Maryse Condé’s . dramatize forms of unbearable confinement and raise questions about literature’s reception. Likening islands to prisons, the individual body to the body politic, these novels foreground material constrai

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978-1-349-71935-8The Editor(s) (if applicable) and The Author(s) 2016

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Hunger and Irony in the French Caribbean978-1-137-55882-4Series ISSN 2691-3011 Series E-ISSN 2634-5196

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