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Titlebook: Humanism, Drama, and Performance; Unwriting Theatre Hana Worthen Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Theatre.Hum

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樓主: Conformist
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發(fā)表于 2025-3-26 21:59:56 | 只看該作者
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發(fā)表于 2025-3-27 03:02:35 | 只看該作者
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發(fā)表于 2025-3-27 17:07:30 | 只看該作者
,Kivimaa’s ,UNESCO agency) World Theatre Day, Arvi Kivimaa. Fashioning a cultural alliance with National Socialist racialized idealism in the 1930s and 1940s, Kivimaa’s postwar . (theatre humanism) accommodated to the foundational principles of UNESCO’s scientific trans/humanism as shaped by its first Director-
36#
發(fā)表于 2025-3-27 18:41:04 | 只看該作者
Disassembling Performance,es’ . (2012, 2015), Thomas Ostermeier’s with Ibsen’s . (2012), and the Smeds Ensemble’s with Chekhov’s . (2011). Decentering familiar modes and objects of theatre and culture (the book as a means of singularizing performance; a homogenized ensemble of experience inimical to politically defined assem
37#
發(fā)表于 2025-3-28 00:29:56 | 只看該作者
Postcards and/of Prostitutes: Circulating the City in Atom Egoyan’s ,complex accommodations that cities, directors, and women must make as they try to sell themselves and find their niche as ‘different’ in a fiercely competitive market, while not being so transgressive they risk failure and rejection.
38#
發(fā)表于 2025-3-28 05:31:35 | 只看該作者
0342-4901 I have structured the book in this way. The major computing usually lies in the diffusion of substance, while the major program- ming effort (and preparatory paper work) goes into the boundary conditions. These are treated separately.978-3-662-21819-8Series ISSN 0342-4901 Series E-ISSN 2192-6603
39#
發(fā)表于 2025-3-28 06:25:38 | 只看該作者
40#
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