Titlebook: Human Tissue in the Realist Novel, 1850-1895; Ben Moore Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

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Book 2023ry criticism – and presenting a new methodology to approach this conjunction, demonstrated through original readings of Charles Kingsley, George Eliot, and Emile Zola and two English-language writers he influenced (George Moore and Vernon Lee)..

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Zola, Moore, Lee and the Vivisectional Novel,gainst vivisection. These ambivalent relationships to Zola, the chapter argues, reproduce a fundamental ambiguity within Zola’s own writing regarding the relationship between human life, animal life, food, disgust and the realist novel as a form.

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Ben Moore Zwischengitterplatz entspricht. Die dann erfolgenden periodischen Platzwechsel der eingelagerten Atome ?u?ern sich nach mechanischen Gesetzen als eine zus?tzliche D?mpfung der Schwingungen, die zur Apparated?mpfung hinzutritt. Weicht die Frequenz von diesem günstigsten Werte ab, so ist die Zahl der

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Zwischengitterplatz entspricht. Die dann erfolgenden periodischen Platzwechsel der eingelagerten Atome ?u?ern sich nach mechanischen Gesetzen als eine zus?tzliche D?mpfung der Schwingungen, die zur Apparated?mpfung hinzutritt. Weicht die Frequenz von diesem günstigsten Werte ab, so ist die Zahl der

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Introduction: Human Tissue,iscussions of the human from Amitav Ghosh, Sylvia Wynter, Georg Lukács, Michel Foucault and others, as well as discourses of material ecocriticism and the Anthropocene, this introductory chapter argues that the novels to be discussed in this book simultaneously construct or stabilise the figure of t

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Becoming-evolutionary?: Animal Transformations in ,ations into various animals, beginning at ‘the lowest point of created life’ as a madrepore or coral, and culminating with the early history of humanity. Drawing on Deleuze and Guattari’s concept of ‘becoming-animal’, it argues that the evolutionary fantasy Alton Locke recounts plays out a tension b

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Allegorical Realism and the Figure of the Human in , and ,ine and her brother killed by a sudden and devastating flood. It argues that both novels are simultaneously realist and allegorical, and that Eliot’s vision of the human, which draws on her work translating Ludwig Feuerbach’s . (1841/1854), is ambivalent. There is a combination of drives in these no