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Titlebook: Human Rights, Social Movements and Activism in Contemporary Latin American Cinema; Mariana Cunha,Ant?nio Márcio da Silva Book 2018 The Edi

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樓主: obsess
31#
發(fā)表于 2025-3-26 22:16:26 | 只看該作者
32#
發(fā)表于 2025-3-27 04:45:02 | 只看該作者
Introduction,e contemporary cinema that encompasses human rights concerns in Latin American societies. Finally, the chapter introduces the main themes covered in the book, which demonstrates the breadth of geographical areas, issues and methodological approaches included.
33#
發(fā)表于 2025-3-27 07:09:13 | 只看該作者
Rewriting the History of the Urban Revolutionary: Documentary Film and Human Rights Activism in Poscent documentary films and their usage of testimonies present a counter-narrative that challenges the State’s official story, offer a platform for survivors to recount experiences, and raise awareness about the human rights abuses performed by the State.
34#
發(fā)表于 2025-3-27 09:55:34 | 只看該作者
35#
發(fā)表于 2025-3-27 13:50:57 | 只看該作者
Territories, Existence and Identities: Indigenous Peoples in Argentine Films, co-construction of identities within nurturing landscapes and ‘discordant landscapes’ relate to human rights, and points to the dangers of adopting single narratives of identity that elide internal differences and deny multiplicity.
36#
發(fā)表于 2025-3-27 17:48:15 | 只看該作者
The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in , and ,ides a fictional redemption for human rights filmmaking, it also offers a means through which cinema can acknowledge its limitations and shortcomings in ethically crafting narratives about human rights.
37#
發(fā)表于 2025-3-27 23:23:35 | 只看該作者
,A Woman’s Right to Move: The Politics of Female Walking in Latin American Cinema,gether, such films entail a collective—if not unified—drive, showing Latin American women ‘on the move’, drawing their own routes on the map, against the grain, and despite all the detours dictated by historical forces.
38#
發(fā)表于 2025-3-28 04:00:48 | 只看該作者
Intersectionality as a Human Rights Issue in Contemporary Latin American Queer Cinema,lian intermedial short film . (Linn da Quebrada and Marcelo Caetano, 2017). Hence, by looking at the aesthetics and narratives of these films, this chapter contends that more recent queer films have been more aware of intersectional issues and the impact these have on queer human rights.
39#
發(fā)表于 2025-3-28 08:01:50 | 只看該作者
40#
發(fā)表于 2025-3-28 12:24:04 | 只看該作者
Mariana Cunha,Ant?nio Márcio da SilvaFocuses on a variety of themes concerning human rights and activism through the lens of cinema studies, and provides close readings of contemporary films that have often been overlooked in connection
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