Titlebook: Human Rights Film Festivals; Activism in Context Sonia M. Tascón Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2

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ommonly accepted since Descartes. Under the Cartesian aegis we are directed to search for the clear and distinct, and to put aside all that is obscure, ill-defined, or in any way mysterious. Berkeley believed this search to be vain and illusory: These metaphysicians of the way of ideas and abstracti

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Film Festivals: Activism and the GazeAustralian capital cities. Our first year in the city of Perth was one with few finances, and we screened very few films. One of those was . (Gilley 2008). It was a film that, in many ways, gave birth to my disquiet and questioning that have resulted in this book (for a fuller analysis of this film,

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Context 1997–2003: History and Politicsiod of the military dictatorship of 1976–83, which ended with the failed attempt to wrest the Islas Malvinas (Falkland Islands) back from the British. As a discourse that could wield wider political influence, it was the dictatorship of that period, as opposed to previous dictatorships, which produc

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The Festival: Presences: Eastern Europe, the Middle East, and the United Statesn implicit expectation of seeing violations rather than the celebration of the achievement of human rights. Watching others . doing well with human rights is the expected vista, or, at the very least, watching their struggles to make human rights happen. This is not what necessarily takes place at t

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