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Titlebook: Human Nature and the Causes of War; John David Orme Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Classical Realism.Revis

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樓主: FERN
11#
發(fā)表于 2025-3-23 11:04:03 | 只看該作者
978-3-030-08387-8The Editor(s) (if applicable) and The Author(s) 2018
12#
發(fā)表于 2025-3-23 17:50:08 | 只看該作者
John David OrmeSets forth classical realism as a theory of world politics.Finds that revisionism (the desire to alter the territorial status quo) accounts for much more warfare than “spirals of insecurity” between s
13#
發(fā)表于 2025-3-23 19:09:53 | 只看該作者
14#
發(fā)表于 2025-3-24 01:20:52 | 只看該作者
https://doi.org/10.1007/978-3-319-77167-0Classical Realism; Revisionism; Power; Honor; Glory; Regime; Tyranny; Authoritarianism; Republics
15#
發(fā)表于 2025-3-24 03:19:57 | 只看該作者
devising scenarios for the benefit of one or sometimes two privileged individuals who constitute an audience of a rather special kind. Their patronage buys a private performance which, since the play is designed to realise their most intimate fantasies, begins quickly to engross them in the action.
16#
發(fā)表于 2025-3-24 07:45:46 | 只看該作者
John David Ormestructive because it concerned — literally — the representation of authority. The play is dominated by Asper, whose ‘character’ is defined in the printed text: ‘He is of an ingenious and free spirit, eager and constant in reproof, without fear controlling the world’s abuses. One, whom no servile hop
17#
發(fā)表于 2025-3-24 10:44:54 | 只看該作者
18#
發(fā)表于 2025-3-24 15:46:45 | 只看該作者
John David Ormee opinions of others; his own judgement is what counts. He believes that a good writer should read widely and engage in serious scholarly thought, but he is contemptuous of those who simply follow literary fads and imitate what is currently fashionable. Most poets have ‘servile imitating spirits’ (.
19#
發(fā)表于 2025-3-24 20:34:56 | 只看該作者
20#
發(fā)表于 2025-3-25 00:14:06 | 只看該作者
John David Orme from that period, he was committed to scholarly reconstructions of classical Rome for both comic and tragic dramatic purposes. Rome fascinated him as both an aesthetic and political community, providing him with clear paradigms against which to measure his contemporary situation. Jonson used this c
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