Titlebook: Horrors of a Voice (object a); Vox-Exo Tristam Adams Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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Infuriate

Violence,es are examined. Fiction and theory-fiction are employed to illustrate imports from these fields. A key turn is the framing of voice as a delicate orchestration that brutalizes, co-opts and asphyxiates the body from which it issues. This concept is articulated on several levels: phylogenetic, evolut

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sidious,us to slime, a vital and horrifying excess. The contagion theme is extended to a survey of ‘earworms’ (involuntary musical imagery [INMI]). The motif built here is voice’s incursion into bodies. Texts from ?i?ek and Dolar, exploiting a horror vocabulary, are employed to frame object . voice in terms

殘忍

Conclusion,and elaborates departures from Dolar’s account of voice, is at times nigh on a retort to the widely referenced yet seldom critiqued .. Indeed, this project is at times an intervention. The contention laid out is to confront the body where Dolar does not, seeking not only to provide an alternative co

類人猿

a growing spectrum of acknowledged roles in immunity, aging, development, neurodegeneration, and cancer biology. An immunological role of autophagy was first recognized with the discovery of autophagy’s ability to sanitize the cellular interior by killing intracellular microbes. Since then, the repe

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啜泣

Tristam Adamsarvation and other forms of stress. It has a growing spectrum of acknowledged roles in immunity, aging, development, neurodegeneration, and cancer biology. An immunological role of autophagy was first recognized with the discovery of autophagy’s ability to sanitize the cellular interior by killing i

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