Titlebook: Hope and Wish Image in Music Technology; David P. Rando Book 2017 The Editor(s) (if applicable) and The Author(s), under exclusive license

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Wish Images and Wishful Images: Benjamin and Bloch,n of the collective potential of the music streaming service, Beats Music, this second chapter introduces the methodology of the book. Central to this examination of Benjamin’s wish images and Bloch’s wishful images are the key ideas of the unspent and unredeemed utopian energies that gather around

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The Mixtape as Wishtape: Heterotopia, Translation, and Nostalgia,ies and services. I view the mixtape as a heterotopic space capable of constellating music from disparate times and places into configurations that long to disorder the given forms of capitalist music. However, the wish image of the mixtape is also invested in reordering, restoring, and translating

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Conclusion: The Happy Appearance and the Wishful Tendency in Cultural Criticism,argue that this idyll must naturally be dispelled or demystified, but also that the critic must sometimes risk credulity in the happy appearance in order to identify and locate genuinely wishful images for social alternatives within cultural objects and practices. The conclusion thus makes a methodo