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Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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發(fā)表于 2025-3-21 19:14:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Hong Kong and Bollywood
副標(biāo)題Globalization of Asi
編輯Joseph Tse-Hei Lee,Satish Kolluri
視頻videohttp://file.papertrans.cn/429/428209/428209.mp4
概述Provides the first comparative study of the two fast-growing film industries: Hong Kong and Bollywood.Offers an overview of new cinematic trends from Hong Kong and Bollywood, and the challenges they p
叢書(shū)名稱(chēng)Global Cinema
圖書(shū)封面Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2
描述.This volume examines the transmission, reception, and reproduction ofnew cinematic styles, meanings, practices, and norms in earlytwenty-first-century Asia. .Hong Kong andBollywood. offers new answers to the field of inter-Asian cultural studies,which has been energized by the trends towards transnationalism andtranslatability. It brings together a team of international scholars tocapture the latest development in the film industries of Hong Kong and Mumbai,and to explore similar cross-cultural, political, and socioeconomic issues. Italso explains how Hong Kong and Bollywood filmmakers have gone beyond thetraditional focus on nationalism, urbanity and biculturalism to repositionthemselves as new cultural forces in the pantheon of global cinema..
出版日期Book 2016
關(guān)鍵詞East Asian Cinema; South Asian Cinema; Bollywood; Hong Kong; Globalization; Glocalization; Global Cinema; T
版次1
doihttps://doi.org/10.1057/978-1-349-94932-8
isbn_softcover978-1-349-95677-7
isbn_ebook978-1-349-94932-8Series ISSN 2634-5951 Series E-ISSN 2634-596X
issn_series 2634-5951
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

書(shū)目名稱(chēng)Hong Kong and Bollywood影響因子(影響力)




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沙發(fā)
發(fā)表于 2025-3-21 22:16:29 | 只看該作者
板凳
發(fā)表于 2025-3-22 02:23:38 | 只看該作者
978-1-349-95677-7The Editor(s) (if applicable) and The Author(s) 2016
地板
發(fā)表于 2025-3-22 07:59:36 | 只看該作者
Hong Kong and Bollywood978-1-349-94932-8Series ISSN 2634-5951 Series E-ISSN 2634-596X
5#
發(fā)表于 2025-3-22 10:15:07 | 只看該作者
Chinaman, Not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on Indiaof India and is criticised by Indian scholars as humiliating and distasteful. By highlighting inter-Asian solidarities, Srinivas shows that the fusion of Hong Kong martial arts with Bollywood music and dance unites the twin paragons of global cinema and permits a new reading of the films as a performative critique of the Orientalising gaze.
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發(fā)表于 2025-3-22 16:29:11 | 只看該作者
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發(fā)表于 2025-3-22 18:52:21 | 只看該作者
Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India the depiction of Dharavi as a veritable Disneyland full of crimes, drugs, prostitution, and ., and as a land of utter poverty and moral bankruptcy. This is a strong case study of how Orientalism is, in fact, alive in contemporary Hollywood and in bourgeois Indian cinema under neoliberalism.
8#
發(fā)表于 2025-3-23 00:55:12 | 只看該作者
Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cineand Bollywood during the 1970s and 1980s. It focuses on the rising trend of cinematic realism in both cinemas against the backdrop of anxieties brought on by modernization and urbanization. Despite the vast institutional differences between the two cities, the cinematic expressions of popular dissatisfaction were very similar in these films.
9#
發(fā)表于 2025-3-23 02:18:49 | 只看該作者
https://doi.org/10.1057/978-1-349-94932-8East Asian Cinema; South Asian Cinema; Bollywood; Hong Kong; Globalization; Glocalization; Global Cinema; T
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發(fā)表于 2025-3-23 06:04:50 | 只看該作者
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