Titlebook: Home, Materiality, Memory and Belonging; Keeping Culture Rachel Hurdley Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Li

使習(xí)慣于

Rachel Hurdleyischer und thermischer Belastung hinreichend genau zu berechnen und damit Aussagen über deren Steifigkeitsverhalten und Temperaturverteilungen sowie Spannungsverteilungen zu machen. Für die Bauteilberechnung mit Hilfe der FEM wird freales Bauteil ein Rechenmodell mit definierten Randbedingungen erst

忍受

Rachel Hurdleyischer und thermischer Belastung hinreichend genau zu berechnen und damit Aussagen über deren Steifigkeitsverhalten und Temperaturverteilungen sowie Spannungsverteilungen zu machen. Für die Bauteilberechnung mit Hilfe der FEM wird freales Bauteil ein Rechenmodell mit definierten Randbedingungen erst

follicle

Introduction: Dismantling Mantelpiecesng as yet another advert break interrupted my entertainment, I glanced idly to the left, at the mantelpiece above the unlit gas fire. I had seen it ten thousand times – without really seeing it – but on that night, I looked at it as if for the first time.

Genistein

Histories of Domestic Fire finally, objects displayed on mantels. The first problem is material ‘evidence’: what has survived and, just as importantly, what has not. Stone and wood, rich and poor, male and female: what now can be seen of them? Second, I will stress how points of view re-emerge and transform, to demonstrate h

受人支配

Mass Observation Mantelpiecesion of their articles in the ., Mass Observation (MO) was to be ‘a(chǎn)nthropology of ourselves’ to counter government ignorance about the feelings and attitudes of the British ‘masses’ (see Mass Observation 2012). A principal aim was to collaborate in making ‘museums of … domestic objects’ (Madge and Ha

挖掘

infarct

Telling Identities of the normal run of things, took my breath away. When it flew in, my first sensible thought was, ‘How do I get it out again?’; the second, ‘Will the dog go crazy?’ When it flew away across the field, I felt relief – and regret: I really have to start writing now.

難理解

萬靈丹

Focal Pointss of organising into headings and sub-headings was difficult, as they are so entangled in home life. Further, if mantelpieces are practices of auto-archaeology, perhaps these traces were the hardest to distinguish, buried in the very ground beneath my feet. Snobbery, squabbling, childish indignation

Bother

Defamiliarising Home, this book is narrative, in the sense that it progresses from the centre, the focal point, of mantelpiece culture, as elicited in the first phase of fieldwork. Those who volunteered to answer the postal questionnaire, and, further, to be interviewed in their homes, were principally female, and defi