Titlebook: Home and Nation in Anglophone Autobiographies of Africa; Lena Englund Book 2024 The Editor(s) (if applicable) and The Author(s), under exc

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,From Place to Place in Aminatta Forna’s Autobiographical Writing, focus on political upheaval and unrest. Forna brings the discussion of place to the present day in her essays on gendered spaces and the harassment women may be subjected to in streets and other public places, as well as providing a focus on race and racialized spaces.

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2634-5773 writers in terms of gender and generation, locations, and e.This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s .The House at Sugar Beach., Sisonke Msimang’s .Always Another

MOT

Book 2024ors’ works – Helen Cooper’s .The House at Sugar Beach., Sisonke Msimang’s .Always Another Country., Leila Ahmed’s .A Border Passage., Noo Saro-Wiwa’s .Looking for Transwonderland., Douglas Rogers’s .The Last Resort., Elamin Abdelmahmoud’s .Son of Elsewhere., Clemantine Wamariya and Elizabeth Weil’s

CLAM

,Place and Privilege in Helene Cooper’s ,o Liberia. Privilege becomes inherently connected to experiences of place in the memoir, particularly in terms of Eunice, a girl from a less privileged background, whose life becomes intertwined with that of Cooper’s.

faction

,Exiled Place in Sisonke Msimang’s ,e family from country to country to which the title refers. South Africa is presented as a location of complexity to which no easy relationship is possible, muddling the meaning of home and of origins. This is exemplified in Msimang’s writing in multiple ways through her experiences as an expatriate.

Inclement

,Family History and Place in Leila Ahmed’s ,she spent her childhood. The relationship between history, self, and nation are therefore central in Ahmed’s autobiography and the focus of this chapter. Her autobiographical text reveals the impossibility of returning to childhood and the difficulties involved with having one’s identity defined from the outside.

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,Place and Politics in Douglas Rogers’s ,chapter explores the relationship between place, home, and nation, and Drifters becomes?in many ways, in Rogers’s own terms, a symbol of the nation. Politics and place converge in ., which expresses the difficulty in reconciling the two, particularly in terms of personal relationship with the nation.

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