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Titlebook: Home Truths: Fictions of the South Asian Diaspora in Britain; Susheila Nasta Textbook 2002Latest edition The Editor(s) (if applicable) and

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發(fā)表于 2025-3-21 16:04:07 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Home Truths: Fictions of the South Asian Diaspora in Britain
編輯Susheila Nasta
視頻videohttp://file.papertrans.cn/429/428026/428026.mp4
圖書封面Titlebook: Home Truths: Fictions of the South Asian Diaspora in Britain;  Susheila Nasta Textbook 2002Latest edition The Editor(s) (if applicable) and
描述The figure of the disaporic or migrant writer has recently come to be seen as the ‘Everyman‘ of the late modern period, a symbol of the global and the local, a cultural traveller who can traverse the national, political and ethnic boundaries of the new millennium.. Home Truths: Fictions of the South Asian Diaspora in Britain. seeks not only to place the individual works of now world famous writers such as VS Naipaul, Salman Rushdie, Sam Selvon or Hanif Kureishi within a diverse tradition of im/migrant writing that has evolved in Britain since the Second World War, but also locates their work, as well as many lesser known writers such as Attia Hosain, GV Desani, Aubrey Menen, Ravinder Randhawa and Romesh Gunesekera within a historical, cultural and aesthetic framework which has its roots prior to postwar migrations and derives from long established indigenous traditions as well as colonial and post-colonial visions of ‘home‘ and ‘a(chǎn)broad‘. Close critical readings combine with a historical and theoretical overview in this first book to chart the crucial role played by writers of South Asian origin in the belated acceptance of a literary poetics of black and Asian writing in Britain to
出版日期Textbook 2002Latest edition
關(guān)鍵詞Britain; English literature; fiction; Great Britain; individual; memory; migrant; migration; play; poetics; tr
版次1
doihttps://doi.org/10.1007/978-1-4039-3268-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2002
The information of publication is updating

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Crossing Over and Shifting the Shapes: Sam Selvon’s Londonersers were not . within the ‘grey world city’; their ‘mental furniture was strangely different’.. The status of London as such has always been a point of controversy in the criticism of postwar Caribbean literature.
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