Titlebook: Hollywood‘s Stephen King; Tony Magistrale Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 America.cinema.culture.fict

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Tony Magistraleetty direct clinical application or implication.Includes supThe Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research including

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Tony Magistraleetty direct clinical application or implication.Includes supThe Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research including

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,Steve’s Take: an Interview with Stephen King,ew Hampshire, and into Maine, where the topography finally begins to flatten out. New England’s northern tier consists of scattered towns, rolling meadows, impenetrable woods and bogs. This is Stephen King’s country. Lancaster, New Hampshire, or Skowhegan, Maine could seamlessly be transformed into

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The lost Children: Carrie, Firestarter, Stand by Me, Silver Bullet, Hearts in Atlantis, with material comforts, but they seldom experience love from these people. They may appear psychologically adjusted on the outside, but their young lives are often terribly troubled. They inhabit a landscape of dread, loneliness, and a primal fear of abandonment. Some of these children, such as Car

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Maternal Archetypes: Cujo, Misery, Dolores Claiborne,exuality itself are patronizingly restricted and frequently negative. His women characters, especially those populating his earliest fiction, tend to fall into the category of either diabolical sorceress or passive victim. Critic Chelsea Quinn Yarbro was first to lament that “it is disheartening whe

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Paternal Archetypes: the Shining, Pet Sematary, Apt Pupil,, abandoned the family one night when Stephen was two years old and was never seen or heard from again by his family. The absence of a positive father in his life may have shaped King’s attitude toward creating fictional fathers, as King’s patriarchs are, generally speaking, benignly indifferent at

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Defining Heroic Codes of Survival: the Dead Zone, the Shawshank Redemption, the Green Mile,rprised whenever strangers, upon hearing me link these films with King’s name, comment in shocked disbelief, “Stephen King wrote those stories?” Such confusion is understandable, as David Cronenberg’s . is more a tragic love story than it is a tale of terror, while . and ., both directed by Frank Da