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Titlebook: Hollywood in Crisis or: The Collapse of the Real; Wheeler Winston Dixon Book 2016 The Author(s) 2016 Hollywood Cinema.Mainstream Cinema.In

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樓主: damped
21#
發(fā)表于 2025-3-25 04:42:41 | 只看該作者
Wheeler Winston DixonExamines late stage capitalism in films.Offers an examination of the Hollywood production process.Examines the benefits and downsides of social media
22#
發(fā)表于 2025-3-25 07:51:42 | 只看該作者
23#
發(fā)表于 2025-3-25 15:14:07 | 只看該作者
24#
發(fā)表于 2025-3-25 17:38:26 | 只看該作者
ial mediaThis book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Wheeler Winston Dixon examines key works in cinema from the era of late-stage capitalists, analyz
25#
發(fā)表于 2025-3-25 19:58:44 | 只看該作者
26#
發(fā)表于 2025-3-26 00:32:18 | 只看該作者
27#
發(fā)表于 2025-3-26 06:37:24 | 只看該作者
The Center Will Not Hold,d by extension world society in collapse, as delineated in a series of films that seem to be in love with destruction. At the same time, alternative visions are being created that challenge the dominant culture, and these works are also examined in this chapter.
28#
發(fā)表于 2025-3-26 09:54:40 | 只看該作者
The New Hollywood Economy,e old system of making movies is broken. A relatively new studio in Hollywood, The Asylum, is dedicated to doing just that; giving the viewer something the majors won’t. Something like . (2013). This chapter examines The Asylum’s relentless output of genre films and other cinematic outliers that challenge mainstream cinema.
29#
發(fā)表于 2025-3-26 12:46:59 | 只看該作者
Hollywood under Attack, cuts of films, and the like. This chapter thus discusses the various challenges faced by Hollywood in adapting to the new digital era, not only in terms of production, but also in the matter of conducting regular business on a daily basis.
30#
發(fā)表于 2025-3-26 20:12:39 | 只看該作者
The Visible Invisible,iles of these documents are often illegible or hidden behind pay walls. This chapter thus sums up the concerns of Hollywood cinema in the new era, as well as examining the numerous threats to the humanities in general created by the headlong rush to digital culture.
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