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Titlebook: Hollywood and the Box Office; John Izod Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 film.Hollywood.natur

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31#
發(fā)表于 2025-3-27 00:13:31 | 只看該作者
,Nickelodeons and Narrative, 1900–8, bought copies of his films, duplicated them illicitly, and sold them under new titles as their own.. The merciless leeching of his profits was so severe that ultimately, combined with Méliès’s reluctance to adapt to changing patterns of film-making, it brought a remarkable career to a painfully early end.
32#
發(fā)表于 2025-3-27 03:39:33 | 只看該作者
Product Differentiation in the 1930s,tatives on their boards, and these people interested themselves not so much in individual films as in the organisation of production. The studios were expected to use their human and material resources as efficiently as they could.
33#
發(fā)表于 2025-3-27 05:23:16 | 只看該作者
,Architecture of the Feature Film, 1915–25,t uncommon to find architectural styles thrown together in a mishmash, with the visual excitements of the Gothic or Romanesque oddly framed by ‘the Doric, Ionic and Corinthian pillar associated with classicism and reason’..
34#
發(fā)表于 2025-3-27 11:56:50 | 只看該作者
,Inventions and Patents, 1895–99, Such a quest for the source of cinema is delusory, not so much because it is impossible to come up with names and dates as because the romantic search for the one true originator of the movies leads us to think of the new industry in the wrong way. For the significant factor about the beginning of
35#
發(fā)表于 2025-3-27 16:37:49 | 只看該作者
36#
發(fā)表于 2025-3-27 17:59:52 | 只看該作者
37#
發(fā)表于 2025-3-27 23:32:42 | 只看該作者
38#
發(fā)表于 2025-3-28 04:47:43 | 只看該作者
,Architecture of the Feature Film, 1915–25, designs were based, as May says, on the classical architecture of Greece and Rome.. Soon, however, it became possible to find evidence of new motion picture theatres (like Boston’s Modern, opened in 1914 to take an audience of 1000 people) in which classicism had become deeply confused with various
39#
發(fā)表于 2025-3-28 09:01:57 | 只看該作者
,Standardising Production and Consumption, 1915–25,h the creation of an individual who remained in touch with, and controlled directly, all that he had set up. Instead companies grew so large, employed so many staff, and directed their activities so widely both in territory and in the range of their business, that they became corporate enterprises.
40#
發(fā)表于 2025-3-28 12:19:10 | 只看該作者
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