Titlebook: Hollywood Remakes, Deleuze and the Grandfather Paradox; Daniel Varndell Book 2014 Palgrave Macmillan, a division of Macmillan Publishers L

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Nutrient

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The Vicious Circles of Postmodern Representationsn the first chapters, cannot help us when confronting a Vicious Circle. Thus, from the “point of no return” in Chapter 2, at which a situation becomes an “.”, we arrive here in Chapter 3 at the “point of .”. This is Nietzsche’s concept for a . with an irreversible situation. The Eternal Return is de

摻和

Remake Series and the “Case” of Film Noiron, or Kant and the passive syntheses. In particular, Deleuze liked that the expression “out of joint” could mean generally that time is dislocated from the historical continuum, but also, specifically, that it connotes the image of a door coming off of its hinges. Ordinarily, a door swings open, de

Cryptic

The Grandfather Paradox space itself. “It is only by breaking open the circle,” Deleuze writes, “by unfolding and untwisting it, that the dimension of sense appears for itself”.. To reintroduce Euclidean geometrics, the strip must be first cut, then unfolded and rotated through an .; external, that is, to the surface of t

事與愿違

Conclusion: Encore Deleuzend Guattari seek to overcome? Deleuze’s solution to the M?bius loop, as we’ve seen, involves cutting the strip and untwisting it through an external axis. Is it not in this twisting motion that we get the most wonderful topographical metaphor for the impact of the . line? After all, one can ask: how

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細胞膜

Daniel Varndellheint, untersucht der Beitrag jene historisch-kulturellen Rahmenbedingungen, unter denen H?ren zum Bestandteil einer Wissenskultur wurde, und identifiziert diese paradigmatische Wende mit der Forschungsarbeit Hermann von Helmholtz’. Anders als die akustische Forschung davor, die sich wie Chladnis Ar

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