Titlebook: Hitler’s French Literary Afterlives, 1945-2017; Manuel Bragan?a Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive

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Hitler and the Second World War in French Historiography and Fiction,ard. The chapter concludes with a theoretical discussion of the literary and ethical difficulties of including historical characters in fiction, both in general terms and more specifically in the case of Adolf Hitler in French fiction.

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,Hitler, in the Margins: On Jean-Paul Sartre’s , (1945) and Jean Genet’s , (1947),iffering receptions underscore the collective consciousness of the French in the immediate aftermath of the war: Sartre’s seemingly Manichean perspectives made sense, unlike Genet’s novel which undermines the good/evil dichotomy by shifting its value-system from ethics to aesthetics.

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