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Titlebook: History, Memory, Performance; David Dean (Professor),Yana Meerzon (Associate Pro Book 2015 Palgrave Macmillan, a division of Macmillan Pub

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發(fā)表于 2025-3-21 19:04:01 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱History, Memory, Performance
編輯David Dean (Professor),Yana Meerzon (Associate Pro
視頻videohttp://file.papertrans.cn/428/427632/427632.mp4
叢書名稱Studies in International Performance
圖書封面Titlebook: History, Memory, Performance;  David Dean (Professor),Yana Meerzon (Associate Pro Book 2015 Palgrave Macmillan, a division of Macmillan Pub
描述History, Memory, Performance is an interdisciplinary collection of essays exploring performances of the past in a wide range of trans-national and historical contexts. At its core are contributions from theatre scholars and public historians discussing how historical meaning is shaped through performance.
出版日期Book 2015
關(guān)鍵詞theatre history; theatre and holocaust; performative history; identity; stage; theatre; William Shakespear
版次1
doihttps://doi.org/10.1057/9781137393890
isbn_softcover978-1-349-48373-0
isbn_ebook978-1-137-39389-0Series ISSN 2947-4949 Series E-ISSN 2947-4957
issn_series 2947-4949
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2015
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Un/becoming Nomad: Marc Lescarbot, Movement, and Metamorphosis in ,, works appeared in multiple editions in the author’s lifetime and were translated into English and German, circulating accounts of French exploration and settlement in today’s Canada and Quebec as well as Florida, the Carolinas, Maine, Mexico, Brazil, and Peru.
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Contemporary Brazilian Theatre: Memories of Violence on the Post-Dictatorship Stage,nters and the torture of political prisoners circulated secretly, the press remained quiet about the illegal violence committed under the oppressive rule and the news media aired pro-government propaganda..
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Minding the Gap: The Choreographer as Hyper-Historian in Oral History-Based Performance,, and theatre and opera students at the Hochschule für Musik und Darstellende Kunst. Rosolen’s MA thesis performance work, titled . (.) uses oral history interviews and other archival documentary sources for a choreographic inquiry on the influence of German expressionist dancer and choreographer, Renate Schottelius, in Buenos Aires, Argentina.
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