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Titlebook: History and Myth in Pictorial Narratives of the Russian ‘Patriotic War‘, 1812-1914; Andrew M. Nedd Book 2024 The Editor(s) (if applicable)

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發(fā)表于 2025-3-21 18:00:38 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱History and Myth in Pictorial Narratives of the Russian ‘Patriotic War‘, 1812-1914
編輯Andrew M. Nedd
視頻videohttp://file.papertrans.cn/428/427504/427504.mp4
概述Provides a survey of the Russian battle painting tradition and patriotic culture.Analyses the visual culture that appeared in the wake of the 1812 invasion.Explores both ‘high‘ art, or academic painti
圖書(shū)封面Titlebook: History and Myth in Pictorial Narratives of the Russian ‘Patriotic War‘, 1812-1914;  Andrew M. Nedd Book 2024 The Editor(s) (if applicable)
描述.This book reveals that the visual narrative of the events of the Russian campaign of 1812 was inextricably linked to Russia‘s search for national identity and helped to form competing definitions of ‘Russianness‘. No pre-revolutionary military event was more celebrated in Russian literature and art than the ‘Patriotic War of 1812’, during which Napoleon advanced his .Grand Armée. into Russia, only to retreat months later in defeat as his army faced starvation and capture during the brutal winter. The works of art that retold the story of 1812 extolled virtues that were represented as inherently Russian: courage, resourcefulness, and unity. Furthermore, these values were increasingly contrasted with those of the foreign invader from the west. While the emphasis is largely on academic painting, this book also explores popular media and memorialization in order to reveal the role that images played in the process of constructing identities in nineteenth-century Russia..
出版日期Book 2024
關(guān)鍵詞Napoleonic Wars; national identity; Russianness; high art; popular media
版次1
doihttps://doi.org/10.1007/978-3-031-60335-8
isbn_softcover978-3-031-60337-2
isbn_ebook978-3-031-60335-8
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 21:34:40 | 只看該作者
Andrew M. Neddithin and without: from within, as a development and deepen- ing of the concepts and of the topological and analytical methods brought about by LYAPUNOV, POINCARE, BENDIXSON, and a few others at the turn of the century; from without, in the wake of the technological development, particularly in comm
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發(fā)表于 2025-3-22 04:13:44 | 只看該作者
Andrew M. Neddithin and without: from within, as a development and deepen- ing of the concepts and of the topological and analytical methods brought about by LYAPUNOV, POINCARE, BENDIXSON, and a few others at the turn of the century; from without, in the wake of the technological development, particularly in comm
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發(fā)表于 2025-3-22 05:01:49 | 只看該作者
Andrew M. Neddoth from within and without: from within, as a development and deepen- ing of the concepts and of the topological and analytical methods brought about by LYAPUNOV, POINCARE, BENDIXSON, and a few others at the turn of the century; from without, in the wake of the technological development, particular
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發(fā)表于 2025-3-22 11:41:41 | 只看該作者
Introduction,o Russia, fought General Mikhail Kutuzov’s army at Borodino, occupied Moscow, and then retreated in defeat as his army faced starvation and capture during the brutal Russian winter, only to be pursued all the way back to Paris. The defeat and expulsion of Napoleon was a turning point in Russian hist
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發(fā)表于 2025-3-22 14:01:03 | 只看該作者
Art, War, and Empire: A History, Northern War of 1700–1721. Russia’s cultural identity, on all levels, was articulated in images and stories derived from war and conquest. Napoleon’s decision to invade Russia in 1812 at the head of the largest army ever raised had a profound influence on the development of Russian national identit
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發(fā)表于 2025-3-22 20:26:19 | 只看該作者
The Reign of Alexander I: The Myth of National Unity,While the . is a popular art form, it was three academically trained artists—Terebenev, Ivanov, and Venetsianov—who excelled at images that lampooned the French invader and celebrated the common Russian. This chapter explores the legacy of the early visual culture provoked by the French invasion in
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Nicholas II: The Centennial, Art, Spectacle, and Historical Memory,rodino. Preparations for these activities were begun in 1910, when the Ministry of War created the Joint Committee for the Preparation of the Centennial Jubilee, which was headed by General Vladimir Glazov, former head of General Staff Academy and Minister of Education since 1904. The Joint Committe
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