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Titlebook: Histories of the Future; Studies in Fact, Fan Alan Sandison (Emeritus Professor of English),Robe Book 2000 Palgrave Macmillan, a division o

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發(fā)表于 2025-3-21 18:41:06 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Histories of the Future
副標(biāo)題Studies in Fact, Fan
編輯Alan Sandison (Emeritus Professor of English),Robe
視頻videohttp://file.papertrans.cn/428/427446/427446.mp4
圖書封面Titlebook: Histories of the Future; Studies in Fact, Fan Alan Sandison (Emeritus Professor of English),Robe Book 2000 Palgrave Macmillan, a division o
描述This collection of interdisciplinary essays examines some of the ways in which writers, artists, film-makers, strategists and political thinkers have imagined the future over the last two centuries. Although a number of contributions discuss ‘mainstream‘ science fiction, the collection‘s emphasis is not on any single genre, but rather on the ways in which different histories - technological, cultural, military, ideological - generate and inform different modes of speculation about things to come. These histories also disclose that our patterns of expectation are much influenced by our relationship to the past.
出版日期Book 2000
關(guān)鍵詞fiction; film; Narrative; space; literary theory; literature; media; media studies; Narrative; social science
版次1
doihttps://doi.org/10.1007/978-1-4039-1929-8
isbn_ebook978-1-4039-1929-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

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,The Ruins of the Future: Macaulay’s New Zealander and the Spirit of the Age,y press, accordingly, in the final weeks of the protracted campaign, made a last effort to minimise the impending catastrophe. As successive members of John Major’s accident-prone government were pilloried in the tabloids for sexual or financial misconduct, . tried desperately to stem the torrent of
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發(fā)表于 2025-3-22 02:46:58 | 只看該作者
Celluloid Scientists: Futures Visualised,ider the latent messages about society’s attitudes to scientists that are encoded in the particular creative medium of film and to suggest some of the cultural background for these projections. Film-makers in several genres frequently draw on contemporary scientific discoveries or, more exactly, on
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,Boys, Battleships, Books: the Cult of the Navy in US Juvenile Fiction, 1898–1919,nological innovation. Its defining theme was the rise of the navy as a world-class fighting force.. The technology that enabled this projection of American power across the seas was also, paradoxically, a source of anxiety. While sublimated into fascination with technology itself, anxiety remains a
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American Dreams and Edwardian Aspirations: Technological Innovation and Temporal Uncertainty in Nar However, when viewed in hindsight, many such fictions appear more noteworthy for their unwitting penetration of the black shrouds of contemporary secrecy than for any ability to venture beyond that gossamer veil that separated their authors’ present reality from future possibilities. Indeed, narrat
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Filing the Future: Reporting on World War Three,onfrontation between the USA and the Soviet Union. The nuclear age for Burnham signified an indefinitely prolonged state of war readiness, especially as the Cold War had entered an ‘explosive state’ where hostilities could break out any time over the next five years.. Although George Orwell ridicule
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A New World Made to Order: Making Sense of the Future in a Global Era,time you read them, some resolution to this difficult and painful conflict will presumably have been reached. Whatever that outcome may be, it will remain ironic not only that in its fiftieth anniversary year, ten years after the collapse of the Eastern bloc, NATO should take up arms for the first t
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