Titlebook: Historicizing the Embodied Imagination in Early Modern English Literature; Mark Kaethler,Grant Williams Book 2024 The Editor(s) (if applic

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The Iconoclastic Imagination: John Donne’s Metaphysical Conceitsrged in response to a growing anxiety about the relationship between words, images, and the imagination: suspicion extended not just to the pictures, paintings, and statues of England’s Catholic past but also to books and the “speaking pictures” of the poetic imagination. Classical and medieval theo

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The Phenomenal Imagining Body in Shakespearee feel and what we may learn from careful, historicist research lies the imaginative leap that can help deepen our understanding of the early modern imagination’s function within the body. In this chapter, Sachon explores that gap, by putting examples of Shakespeare’s . and . under scrutiny of a phe

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Infected Fancies and Penetrative Poetics in cs that had become a conventional part of this classical story of sexual violence. Pushing against the masculine fantasies of objectification and rational wills, Shakespeare ultimately offers an alternative form of readership—one fragmentary and richly connected to the unwieldy world of sensation—in

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“A Work of Fancy”: World-Making Imagination as an Art of Memory in Margaret Cavendish’s ivid images, depends upon the creative cognitive processes of image-making and imagination. More importantly, I suggest, the art of memory is a poetics, an art of storytelling: Cavendish constructs . as a memorial and a memory theater, which she dramatizes as the work of her embodied imagination. Th

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“I think h’as knocked his brains out”: Unhealthy Imagination in nation can be a force that serves to access the divine as much as it can also deter people away from this apotheosis and direct them toward sinful delights. The anatomical and spiritual dimensions of the play as well as the inclusion of a Doctor highlight Tourneur’s preoccupation with matters of hea

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