| 書目名稱 | Historical Theory and Methods through Popular Music, 1970–2000 | | 副標題 | “Those are the New S | | 編輯 | Kenneth L. Shonk, Jr.,Daniel Robert McClure | | 視頻video | http://file.papertrans.cn/428/427407/427407.mp4 | | 概述 | Uses popular music in the United States and United Kingdom in the years between 1970 and 2000 as the entrep?t to historical theory, and examines the history of popular music through alternative, or no | | 叢書名稱 | Pop Music, Culture and Identity | | 圖書封面 |  | | 描述 | This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. .Historical Theory and Methods through Popular Music. seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic. | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | musical theory; popular music; historical theory; history; post 1960s; Anglo-Black Atlantic; music industr | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-57072-7 | | isbn_ebook | 978-1-137-57072-7Series ISSN 2634-6613 Series E-ISSN 2634-6621 | | issn_series | 2634-6613 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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書目名稱Historical Theory and Methods through Popular Music, 1970–2000被引頻次
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